Judith Fetterley, The Resisting Reader: a Feminist Approach to American. Fiction (Bloomington and London: Indiana University Press, , X). Pp. xxvi. : The Resisting Reader: A Feminist Approach to American Fiction ( Midland Books: No. 2) (): Judith Fetterley: Books. The Resisting Reader. A Feminist Approach to American Fiction. Judith Fetterley. Distribution: World. Publication date: 09/22/ Format: Paperback.

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Fetterley argues that the American dream of escaping from women who are fully potent human beings has produced a literature in which women are killed, vilified, or idealized.

Fetterkey pages Title Page.

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The Constraints of Desire: Judith Fetterley takes up a series of classic nineteenth and twentieth-century texts to demonstrate that “American literature is male,” that “the experience of being American is equated with the experience of being male,” and that “in such fictions the female reader is co-opted judith fetterley the resisting reader participation in an experience from which she is explicitly excluded” p.

Elaborating on Fiedlerian premises, Fetterley has written a sophisticated, textual Iy responsive, radical feminist study that details the American dream of escaping the power of women, from the sleep of Rip Van Winkle to the waking nightmare of Stephen Rojack. This article is a review of another fstterley, judith fetterley the resisting reader as a book, film, musical composition, etc.


The resisting reader : a feminist approach to American fiction

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Contents Four Judirh Short Stories. Journals that are no longer published or that have been combined with another title. Journals with no new volumes being added to the archive. Export a Text file For BibTex.

Judith Fetterley – Wikipedia

Select the purchase option. Fetterley’s interpretations, especially of the short stories, offer compelling syntheses of psychology, history, literary history, cultural judith fetterley the resisting reader, and literary observation. Authorized users may be able to access the full text articles at this site. A Feminist Approach to American Fiction. Fetterley began her academic career at the University of Pennsylvaniawhere she taught thw to Her family moved to Franklin, Indiana when she was ten.

Fetterley then turns this interpretation on a feminist judith fetterley the resisting reader In explanation of her title, Fetterley proposes that since “women are taught to think as men, to identify with a male point of view,” “the first act of the feminist critic must be to become a resisting reader rather than an assenting reader In calculating the moving wall, the current year is not counted.

By using this site, you agree to the Terms of Use and Privacy Policy. Fetterley shrewdly diagnoses the main difficulty in interpreting Mailer, which is judith fetterley the resisting reader “it is impossible to determine to what degree lhis fetishism about being male!


Judith Fetterley born is a literary scholar known for her work in feminism and women’s studies.

Judith Fetterley

Of James’s works, The Boston i ans is, of course, the most explicitly resieting with feminist Issues, though Washington Square and The Portrait of a Lady, for example, explore the same concerns. Of these, the chapters on Mailer and James seem to me best.

You have javascript disabled. Forged from a partnership between a university press and a library, Project MUSE is a trusted part of the academic and scholarly community it serves. This website uses cookies to ensure you get the best experience on our website. Indiana University Press- Literary Criticism – pages. A Feminist Approach to American Fiction Judith Fetterley Indiana University Press- Literary Criticism judith fetterley the resisting reader pages 1 Review “Fetterley’s questions are often so crucial, her observations repeatedly so acute, judith fetterley the resisting reader they force us to ask how we avoided them in the past.

Ability to save and export citations. Pay attention to names, capitalization, and dates. She calls “Rip Van Winkle” “the inevitable dreamwork of the persona created by Benjamin Franklin in his Autobiography, the inevitable consequence of the massive suppressions required by Franklin’s code of success.

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